Take an old-fashioned ethical dilemma: The Woody Allen shit, I guess I knew, but when I was saying he was kind of weird it was more to do with him marrying a woman that his ex-girlfriend adopted or whatever. Overview[ edit ] Klosterman presents his essays as if they were tracks on a CD. I can practically feel the teacher's notes on the pages: The "cocoa puffs" in the title comes from this essay.
But in Sex, Drugs, and Cocoa Puffs he seems as if he still has to prove how hip, smart, and deserving of ladies and attention he really is. Stories like [the John Cusack film] Say Anything are fucking people up. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. I'm certain Osama bin Laden was positive he was serving God. Being virtuous is hard, not easy. But being a mock star is awesome. These essays will resonate with you, overeducated hipster reader. In the schema of the movie The Matrix, he would certainly rather live inside the illusory computer program than fight the good fight in real squalor outside it. What is really peculiar about Klosterman's notion of aesthetics, however, is that he believes every artwork projects an image into which we try to fit ourselves - it has practically no other function, and little autonomy. I assume I found the book through a mention in the magazine, then bought and read it on the dirty couch my roommates and I had salvaged from somewhere. An ode to Billy Joel , particularly the universality of his album Glass Houses. Klosterman explains how the s rivalry between the Los Angeles Lakers and the Boston Celtics symbolizes all rivalries in life, including politics, religion, and race. Klosterman's writing is problematic because many of these essays feel like they were written for a junior composition class although I have to admit, Klosterman would certainly be a favored student. You don't get to tour. He describes his work only half facetiously as "philosophy for shallow people". Clearly, it is not a woke book. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. These people's references may be ephemeral rather than classic, but the faculty of judgment is no less urgent for that. You don't get no money. Critic Mark Greif in The Guardian called it "one of the better essay collections of recent years," noting "Klosterman has attained cult status, his books joining the select and successful canon of reading for people who do not read. In the early 20th century, Italian philosopher Antonio Gramsci developed a concept called cultural hegemony where the ruling class imposes its values worldwide. English majors who like to play deconstruction, hipsters who used to make mix tapes,anyone who knows of Lloyd Dobbler, guys who are really into music and didn't get laid until college, the girls who love them Forgive me for what I'm about to do. Club declared Sex, Drugs, and Cocoa Puffs "one of the brightest pieces of pop analysis to appear this century. Essay collections are notorious for being books that do not sell, yet Klosterman has attained cult status, his books joining the select and successful canon of reading for people who do not read, they are the sort of books that get sold in record shops - alongside works by Hunter S Thompson, Chuck Palahniuk, various rock critics, and historians of psychoactive drugs or gardeners offering instructions on how to grow them. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain.
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